Judaai (English: Separation) is a 1997 Indian Bollywood film starring Anil Kapoor, Urmila Matondkar and Sridevi who made her last appearance in this film and left the industry. This is the remake of 1994 Telugu film Subha Lagnam, which was in turn remade from the Kannada movie Ajagajantara (1991) starring Kashinath.
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Tetsumu, an introverted youth, realizes he has a natural ability of communicating with elephants. This prompts him to leave for Chiang Mai in Thailand to become Japan’s first elephant trainer. Having found his place in the world, Tetsumu develops into a strong, confident young man. He returns to Japan with the dream of building a green “paradise” for his ivory-tusked friends. Meanwhile, he starts a career as an elephant trainer for touring shows. He meets Emi, a woman seven years his senior and falls in love.
The story starts from pile murder, murderer exactly ten years ago, a woman was shot dead by police. A decade ago, it has not found an important clue surfaced, what old things associated with the murder a decade ago after a decade of existence in the end? All this seems to be back to square one again. Liu Ye plays Justin was forced to intervene series of investigations, throws a period spanning 10 years of disputes, he played with Chiu ??? what will happen to the story, the same two men who have lost a loved one, the final showdown, behind, relating to a shocking secret, life and death, love and hate, good and evil, black and white, good and evil, truth and lies a major reversal in
Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of three free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.
In 1944, a courageous group of Russian soldiers managed to escape from German captivity in a half-destroyed legendary T-34 tank. Those were the times of unforgettable bravery, fierce fighting, unbreakable love, and legendary miracles.
Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but “nothing they can’t do from a horse.” Their lives are divided between months on the range and the occasional trip into town. Monte has a long-term relationship with prostitute Martine Bernard, while Chet has fallen under the spell of the widow who owns the hardware store. Camaraderie and competition with the other cowboys fill their days, until one of the hands, Shorty Austin, loses his job and gets involved in rustling and killing. Then Monte and Chet find that their lives on the range are inexorably redirected.
Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks – including a stripper named Nikki and her boyfriend, the local meth producer, The Cook – but all he really wants to do is hook up with his old girlfriend, Amy.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
Recently paroled from prison, legendary burglar “Doc” Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.