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A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)
Using personal stories, this powerful documentary illuminates the plight of the 49 million Americans struggling with food insecurity. A single mother, a small-town policeman and a farmer are among those for whom putting food on the table is a daily battle.
In the Mexican state of Michoacán, Dr. Jose Mireles, a small-town physician known as “El Doctor,” shepherds a citizen uprising against the Knights Templar, the violent drug cartel that has wreaked havoc on the region for years. Meanwhile, in Arizona’s Altar Valley—a narrow, 52-mile-long desert corridor known as Cocaine Alley—Tim “Nailer” Foley, an American veteran, heads a small paramilitary group called Arizona Border Recon, whose goal is to halt Mexico’s drug wars from seeping across our border.
In 2009, Alex Gibney was hired to make a film about Lance Armstrong’s comeback to cycling. The project was shelved when the doping scandal erupted, and re-opened after Armstrong’s confession. The Armstrong Lie picks up in 2013 and presents a riveting, insider’s view of the unraveling of one of the most extraordinary stories in the history of sports. As Lance Armstrong says himself, “I didn’t live a lot of lies, but I lived one big one.”
Every era gets the drug it deserves. In America today, where competition is ceaseless from school to the workforce and everyone wants a performance edge, Adderall and other prescription stimulants are the defining drugs of this generation.
A film about how a much-derided music actually changed the world. Between 1969 and 1979 disco was born through gay liberation, female desire in the age of feminism and led to the birth of modern club culture before taking the world by storm. This in turn led to the ‘Disco Sucks’ movement and the inevitable backlash. With contributions from Nile Rodgers, Robin Gibb, Kathy Sledge and Ian Schrager.