Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.
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Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film. Millionaire Alberto Bravano takes Maria from Kirk. Count Vincenzo Torlato-Favrini takes Maria from Alberto.
Due to financial needs, undergraduate Tiffany took up compensated dating, regarding it as a personal choice that has nothing to do with ethics. Though at first, she’s feeling a bit uneasy, but soon she became indifferent. After one unpleasant experience serving a group of Japanese clients, she wanted to quit. But her agent Hazelnut convinced her to take up a long term sponsor Cheung. In the course of serving Cheung, a subtle feeling nourished between the two. On the other hand, she came across Rex, a young guy of integrity and passion. After one incident, she decided to quit Cheung and took up a new life with Rex. But just when she thought she could start over anew, something unexpected turned up making her realized that she had to pay for what she had chosen before…
Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.
Once upon a time in North India, two killers – Dev (Ranveer Singh) and Tutu (Ali Zafar) – roamed free. Abandoned when young and vulnerable, Bhaiyaji (Govinda) gave them shelter and… nurtured them to kill! All is normal in their lives until destiny throws free-spirited Disha (Parineeti Chopra) into the mix. What follows is a game of defiance, deception and love.
Set in the 70’s era of Mumbai and raised in the impoverished dagdi chawl’s, mill worker Arun Gulab Gawli rises to the position of a dreaded don, a politician and ultimately becomes the chief adversary of the renowned Dawood Ibrahim.
It’s a movie for everyone whose life has been thrown off-course, out of whack, or simply not turned out the way they planned it. In other words, it’s a movie for everyone, period. Set in suburban Long Island in the summer of 2002, with the psychic wounds of 9/11 still fresh, A Little Help is a story that takes a comic, searching and profoundly empathetic look at a few pivotal months in the life of dental hygienist Laura Pehlke (Jenna Fischer)-an ordinary woman whose life suddenly flies off the rails-and her heroic efforts to re-establish a sense of security and normalcy for herself and her son.
Hannah is the intimate portrait of a woman’s loss of identity as she teeters between denial and reality. Left alone grappling with the consequences of her husband’s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.
A Syrian radio DJ documents the experiences of herself and her friends as their dreams of overthrowing their elected government give way to the grim realities of sectarian death squads and extremism.